現(xiàn)在喜愛(ài)字畫的人有很多，不論是的收藏機(jī)構(gòu)還是企業(yè)團(tuán)體，或者是作為裝飾用的個(gè)人，都收藏了一些字畫。

　　There are many people who love calligraphy and painting nowadays, whether it is professional collection institutions, corporate groups, or individuals who use them for decoration, they have collected some calligraphy and painting.

　　今天主要針對(duì)私人收藏字畫的時(shí)候，尤其是一些名貴的字畫，稍有不慎就會(huì)讓字畫受到損傷從而貶值，那么收藏字畫時(shí)，有哪些“點(diǎn)”是禁忌呢？，污染是大忌。不管是油漬、汗?jié)n還是茶漬，都會(huì)破壞字畫的價(jià)值，要注意防范。還有很多人忽略掉的灰塵其實(shí)也是大忌，因?yàn)榛覊m常吸附酸性物質(zhì)、霉菌孢子,使紙張酸化生霉。

　　Today, we mainly focus on private collections of calligraphy and paintings, especially some precious ones. A slight mistake can damage the calligraphy and paintings and cause them to depreciate. So, what are the taboos when collecting calligraphy and paintings? Firstly, pollution is a major taboo. Whether it's oil stains, sweat stains, or tea stains, they can all damage the value of calligraphy and painting, so it's important to take precautions. Dust, which many people overlook, is actually a big taboo because dust often adsorbs acidic substances and mold spores, causing paper to become acidic and moldy.

　　第二，霉斑是大忌。各種顏色上常會(huì)產(chǎn)生霉菌，非常影響字畫的美觀，所以一定要將字畫放置在通風(fēng)干燥的地方。第三，光照是大忌。從科學(xué)的角度出發(fā)，一般光源都含有紫外線，紫外線會(huì)使紙張發(fā)黃、變脆的，不利于作品的長(zhǎng)期保存和裝裱。

　　Secondly, mold is a major taboo. Mold often grows on various colors, which greatly affects the beauty of calligraphy and painting. Therefore, it is necessary to place calligraphy and painting in a well ventilated and dry place. Thirdly, lighting is a major taboo. From a scientific perspective, most light sources contain ultraviolet rays, which can cause paper to turn yellow and brittle, which is not conducive to the long-term preservation and mounting of works.

　　第四，蟲(chóng)蛀是大忌。各種蛀蟲(chóng)會(huì)把書畫往往能把書畫蛀蝕得千瘡百孔,慘不忍睹。不僅影響了作品的完整度，更是降低了書畫的價(jià)值。第五，潮濕是大忌。潮濕的環(huán)境，會(huì)讓紙張的分子結(jié)構(gòu)變得飽和，更加容易引發(fā)霉變、腐爛等問(wèn)題。所以書畫盡量保存在相對(duì)干燥的環(huán)境下。

　　Fourthly, insect infestation is a major taboo. Various pests can often damage calligraphy and painting, leaving them riddled with holes and unbearable to behold. Not only does it affect the integrity of the work, but it also reduces the value of calligraphy and painting. Fifthly, dampness is a major taboo. A humid environment can make the molecular structure of paper saturated, making it more prone to problems such as mold and decay. So calligraphy and painting should be kept in a relatively dry environment as much as possible.

　　字畫的價(jià)值，畫面的美觀性和藝術(shù)的延展共同決定，因此保證作品的完整是非常重要的。但是相對(duì)來(lái)講，紙質(zhì)的保護(hù)難度比較大，不管是裝裱還是函套，都對(duì)材質(zhì)的要求比較高。除此之外，也對(duì)書畫家使用的紙張、材料有所要求。

　　The value of calligraphy and painting, the beauty of the picture, and the extension of art are all determined together, so ensuring the integrity of the work is very important. However, relatively speaking, the protection of paper is more difficult, whether it is mounting or cover, the material requirements are relatively high. In addition, there are also requirements for the paper and materials used by calligraphers and painters.

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